The other great song from the album is Chokra jawaan, which is already making hoopla over the airwaves. Incidentally, Habib Faisal has written the risqué lyrics that aptly envelope the hormonal feelings teenagers eager to lose their virginity and become men. Vishal Dadlani and Sunidhi Chauhan have sung with lots of oomph and verve and compel you to hit the repeat button.
Shreya Ghoshal gets the tone of Jhallah wallah just right. This fusion mujra makes you hit the dance floor, thanks to Amit’s brilliant instrumentation. That’s not all, she makes her presence felt in the the title song as well which is all Javed Ali up until Shreya butts in. Javed is a much neglected singer but has a Sonu Niigaam like ability to make any song sound melodious. Kudos to composer Amit Trivedi too, who has gone all soft and Sufi in this track.
Aafaton ke parindey is the electric climax of the album. Amit Trivedi has gone all out in this grungy track which at time sounds like a jam session than a studio product. Suraj Jagan sings it like a true rockstar and newbie Divya Kumar gives him able company.
Normally, the remix versions are more space fillers than anything else but surprisingly make a mark in this album. Amit Trivedi has grown from strength-to-strength since Dev D and its high time he gets bigger banners and movies.
